F-10 Curriculum (V8)
F-10 Curriculum (V9)
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This is a boomerang painted with three oval markings. On one side is an old label that reads: 'Western Australian Boomerang called Kielie of curious pattern. This boomerang belonged to the black bushranger Pidgeon who was shot by the police on … the Lillemillora Gorge, Leopold Range. Rare Pattern'. The boomerang is 52.5 ...
This is a black-and-white photograph showing African Americans at a roadside dance hall outside Clarksdale in Mississippi, USA, one Saturday evening in November 1939. Couples are jitterbugging to music from a jukebox while other people, mostly men, are standing around. The photograph was taken by Marion Post Wolcott.
This is a black-and-white engraving, measuring 40.4 cm x 57 cm, made by George Rossi Ashton (1851-1942) in about 1914. It depicts John Batman (1801-39) and an elderly Indigenous Australian man leaning over what is probably a treaty document on the decayed trunk of a large fallen tree. They are surrounded by 16 men, many ...
This is a watercolour by Duncan Cooper that shows a lambing station at Challicum, a sheep run west of Ballarat in western Victoria. A man, who may be the hut keeper, is shown standing next to a slab hut and a campfire. In the distance, on the left of the painting, is the lone figure of a shepherd tending his flock. Several ...
This is a black-and-white illustration showing how the well-known American artist Howard Pyle (1853-1911) imagined the landing of the first Africans at Jamestown in the colony of Virginia nearly 300 years after the historical event. Pyle depicts 20 emaciated captives kneeling or sitting on the ground, guarded by men with ...
This is a hand-coloured lithograph of 'License [licence] inspected, Forrest [Forest] Creek', a watercolour by S T Gill. It was printed as a plate in part one of 'The Victoria gold diggings and diggers as they are', published in London in 1853. The drawing depicts a man holding a rifle in one hand and a mining licence in ...
This is a photo-engraving, approximately 52.5 cm x 69.0 cm in size, depicting two men in front of a farm greeting a party of visitors. It shows Edward Henty shaking the hand of Major Thomas Mitchell, who is on horseback. They are watched by a man standing on the left-hand side and by four members of Mitchell's party on ...
This is a watercolour by Duncan Cooper that depicts the huts provided for male farm labourers at Challicum, a sheep run west of Ballarat in western Victoria. In the foreground is a creek spanned by a narrow and rudimentary bridge weighted with rocks. The watercolour, which measures 13.4 cm x 19.4 cm, is the nineteenth watercolour ...
This is one of the most famous photographs of the Great Depression in the USA. It shows Florence Owens Thompson aged 32 huddled together with three of her seven children (the baby is obscured). The family as a whole are described in the Library of Congress catalogue as 'migrant' (ie itinerant) pea pickers in California ...
This is a pair of six-fold screens, painted during the Momoyama period (1573-1615) in Japan, depicting chapter 29 of the epic Japanese novel ‘Tale of Genji’. The screens are shown as an enlargeable image. Text onscreen gives detailed information on the history of the novel, the period it was written and an extensive visual ...
This is a black-and-white close-up photograph (9.5 cm x 11.8 cm) showing the famous Australian pilot Nancy Bird (1915-) leaning against the open cockpit of her de Havilland biplane.
This is a black-and-white print that depicts a group of men taking refuge at the Immigrants' Home in Melbourne. The men, most of whom are seated on wooden benches, are shown in a large common room. They are occupied by an activity that may be the picking of oakum. Sacks either hang from or have been placed on high shelves. ...
This is a black-and-white photograph showing an old African American man sitting in a doorway and holding a horn once used to summon slaves to work at sunrise. The photograph was taken near Marshall in Texas, USA, by photographer Russell Lee.
This is a hand-coloured lithograph print of a drawing by George French Angas (1822-86). It shows a group of men and women, dressed in their Sunday best, picnicking on a slope in front of a small stone chapel in the hills of the Barossa Valley, South Australia, in 1844. The chapel is the only structure in an open woodland ...
This is a coloured print, measuring 19.4 cm x 25.2 cm, painted by the famous colonial artist Samuel Thomas Gill (1818-80) and published in 'The Australian Sketchbook' in 1865. It shows two drovers watering their horses on a hilly trail, with a large herd of cattle moving into the distance. Also depicted are the drovers' ...
This is a watercolour measuring 15.8 cm x 24.4 cm showing gently undulating grassland and narrow bands of trees. A group of cows is being herded by a mounted man to a lower area behind a hill, possibly towards a small group of huts that can be glimpsed in the middle ground. The artist, Duncan Cooper, included this painting ...
This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting runs Challicum and Yalla-y-poora from a south-south-westerly viewpoint. In the midground is the yellow grassland of the Fiery Creek plains, gum trees dot the countryside and the distant bluish mountain is Mount Weejort. Two emus are shown in ...
This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting run Challicum, from a south-westerly viewpoint. A team of four bullocks, pulling a single-axle wagon loaded with fuel and rough bush timber, is centred in front of a large forest. Two unidentified mountains or hills are on the horizon. The artist, ...
This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...
This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...